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'Fleurs a la Place de la Madeleine' by Henderson Cisz
'Sidewalk New York' by Henderson Cisz
'Piccadilly Parade' by Henderson Cisz
'Paris Afternoon' by Henderson Cisz
'The Parisienne Flower Market' by Henderson Cisz
'Day in London' by Henderson Cisz
'Night at the Theatre' by Henderson Cisz
'Theatre Lights, New York' by Henderson Cisz
'Ballade dans Paris' by Henderson Cisz
'Petit Montmartre' by Henderson Cisz
'Embankment Shadows' by Henderson Cisz
'Westminster Showers' by Henderson Cisz
'L'Arc Paris' by Henderson Cisz
'Westminster in the Rain' by Henderson Cisz
'Rio de Janeiro' by Henderson Cisz
'Theatre Nights' by Henderson Cisz
'New York by Night' by Henderson Cisz
'Moored Up' by Henderson Cisz

 

 

 
Henderson Cisz - Originals

Born in Brazil in 1960, Henderson grew up in a small village near Maringa. His talent for painting was clear from as early age, but he never considered pursuing a career as an artist. Instead he entered the banking profession and continued to enjoy painting as a hobby. By the mid 1980s however, Henderson had become convinced that art meant more to him than banking! In 1986 he moved to London in order to study painting, and to make his passion his profession. He has never looked back and now paints full time in his London studio. A seasoned traveller, Henderson has spent time in Europe, Australia and of course his native South America. While he loves the ocean and has always found it a source of inspiration and joy, he is also a true city-dweller, and many of his most inspirational works feature scenes from the world’s most beautiful cities. Painting in acrylic, oil or watercolour on canvas, Henderson’s trademark palette utilises cool, soft tones to convey the atmosphere of his subject. His works are regularly displayed in London galleries and at international art fairs. “I love the effect that weather has on the urban landscape and must confess to a particular fondness for the rain! Not only does it cast interesting shadows and reflections on the slick sidewalks, but it also dictates the stance of the figures. Their slightly defensive postures and hunched shoulders lend a very specific, and to my mind curiously engaging, mood to the overall scene.”